Gain Staging In Your DAW Software

Gain Staging In Your DAW Software | Sound on Sound

On the face of it, gain staging couldn’t be simpler: you ensure that you feed an appropriate level from the first stage of your signal path to the next, and repeat this from the second stage to the third… and so on, all the way from your instruments, mics and preamps to the final stereo mix bus. By ‘appropriate’, I mean an ample level, which ensures a healthy signal-to-noise ratio (the difference between the wanted signal and the noise floor), while leaving enough headroom that you needn’t worry about whether the signal might be clipping.

Today is a good day to re-calibrate the studio monitors. I found the suggestion of setting DAW faders to about -6 dB to start in this article a long while back.

I set my Logic Pro X templates to have channels start there.

Dates and Times – been a struggle since before time began

Scripting News: Saturday, June 9, 2018

One of the things I’m learning is that there is are problems with date-time values. The question is whether or not the date part of the date-time should have hyphens. The Frontier implementation does not. The XML-RPC spec says not. But ISO 8601 seems to say they must be present. The built-in JavaScript function includes the hyphens. I don’t have any other implementations that I can easily check against, so I don’t know what offers the most interop with other XML-RPCs. For now I’m documenting the issue, and leaving the JavaScript implementation as it is, for now. This means in this area it does not interop with Frontier, in that Frontier will not understand the JavaScript date-time values. Going in the other direction there is no problem, because I’ve included a workaround.

 

Unreal. Fourteen years ago a standard was published (ISO 8601:2004) which clearly defined how things should be. Problem is that software developers do not spend their lives re-implementing “standard” software for the rest of their lives.

ISO gave us (back in 2004) this format 20180609T221145Z

What the world wants now is this format 2018-06-09T22:11:45+00:00 (we avoid timezone abbreviations and geo-political nonsense)

I retired from the big data world in 2004, so I never would have had cause to change my preferred world – 20180609T221145Z. To tell the truth, since just before 2000-01-01 I actually preferred the “Astronomical (Julian) day number (at noon UTC): 2458279.5” which for my machines this morning worked out to 2458279.03405093.

From the wikipedia we see

November 17, 1858, 00:00:00 UT is the zero of the Modified Julian Day (MJD) equivalent to Julian day 2400000.5[23] 

and we all basically know that the VMS clock started there 😉 In earlier times (snicker) I discovered the “bad things” that would happen if one entered a proper geocentric clock offset in a TOPS-10 system – I mean, c’mon, I had it right within 200 yards. All hell broke loose in all time-based things. Wonder why it required an OS rebuild to set/change that value.

As a reminder to anyone who uses a database that I have built – 20180609 – is not a date, nor is 2018060915270001 – but it is a very fast integer index 😉 I can’t insert things in my databases faster than 10,000 per second. I learned the hard way that telescope telemetry databases surely can 😉

Ahhh, dates. I would rather slip the bass DI track by 87 samples so it lines up with the bass amp track these days.

Clearing Undo Data in Logic Pro X

Today I learned about the joys of “Undo Data.nosync” folders and “lost” WAV files hiding on my system.

I was investigating a problem someone brought up over on GearSlutz, offered a way to find the culprit. Got a response. Culprit was as expected.

I was doing some “Normalize” testing on newly acquired tracks and saw the very WAV files that can get lost show up in my project. I didn’t expect it, but hey, why not.

The key is that “Undo” settings are different for the “Audio File Editor” as opposed to the regular “Undo”. it is probably prudent to “Clear Undo History” in most cases.

Clear Undo History  Audio File Editor

Why Do Concerts Sound So Bad? – ProSoundWeb

Why Do Concerts Sound So Bad? – ProSoundWeb

Concert sound reinforcement equipment is better than ever, yet we’re frequently burdened with a mess of auditory goo that just sucks the enjoyment from a live event.

I know a place here in Tucson that should really pay attention to Bobby O.’s words of wisdom. I’ve walked out of high-priced shows because the sound wasn’t just awful, it was painful.

The Complete Guide to Mixing Bass Guitar — Pro Audio Files

The Complete Guide to Mixing Bass Guitar — Pro Audio Files

So how do we as recordists and mixers possibly do justice to the greatest instrument of all time throughout the universe? How do we capture its pure glorious majesty? And why is the bass player still out of time?

This week I will go through this guide before I tackle my mixing projects for “Dueling Mixes” and “Produce Like a Pro”.

Discovered on my own the joys of running guitar DI through amp simulators last week. Thought the track was doomed – my bad – the track was OK (not great, just OK). Now I know.