How Inter-plugin Communication Shows up in Your Workflow – iZotope

How Inter-plugin Communication Shows up in Your Workflow

by Will Hunt, Product Marketing Manager January 16, 2020

We talk about Inter-plugin Communication in our products, but what does it actually mean? It is not one single feature, but a framework that lets iZotope plug-ins work as a team to help you accomplish common mix tasks that professional engineers tackle on the job every day. In this article, I’ll use the Tonal Balance Bundle to demonstrate ways iZotope plug-ins use this framework to streamline common mixing tasks.

11 Tips to Fix Cheap Sounding Audio in the Mix

11 Tips to Fix Cheap Sounding Audio in the Mix:

I don’t know about you, but I get a lot of material made in home recording studios. And while a lot of the raw sounds coming my way are great, many recordings sport flaws that impart a palpably “cheap” sound to the material. These flaws have many root causes, such as interfaces that don’t do well for dynamic range or harmonic content; rooms that impart comb filtering to vocals; basses recorded without definition; and badly mic’d drums.

It’s my task, among others, to make these “cheap” sounds feel more “expensive”—that is, to help these mixes play nicely against their better-recorded references. They need to work in a Spotify playlist. They cannot be trounced by the competition. This is my fundamental meaning when I use terms like “cheap” and “expensive.”

The audio in my room doesn’t sound “cheap”, but sometimes I mix it that way by accident.

I want to check this one out…

3. Your snare sounds like someone flicking a piece of paper
Try a cut around 6 kHz, and a boost between 100–200 Hz to see if that adds some body. If you’re lacking impact on snare hits—if it feels a bit flat—try some compression next, emphasizing the transient with a medium attack and a medium-fast release.

You may still hear that dreaded papery noise. If so, solo the snare and see if it goes away. You may be surprised: one of the first things I look for in dealing with a papery snare is whether that sound is actually coming from the kick; often it is. In this case, attenuate that frequency in the kick track with a dynamic equalizer that’s sidechained to the snare. You can easily set this up in Neutron 2, as shown below.