Enharmonic Shift: b ⇧B — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Enharmonic Shift: b    ⇧B

Change the selected note(s) to be displayed as flatted notes. Simple example — a D-sharp is changed to an E-flat.

A lot depends on the skill of the reader of the score and the willful intent of the producer of the score.

Change the display and position of accidentals — Logic Pro X

By default, the display of accidentals depends on the chosen key signature. Using note attributes, you can change flats to sharps, and vice versa. For information about setting the key signature, see Add key and time signature changes.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Set Note Color By Region Color — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Set Note Color By Region Color

MIDI notes. Audio regions don’t have notes. It would seem kind of useless to set note color by region since most all MIDI regions start out as green. But what if we change them?

It hardly occurred to me to change the MIDI region colors, but it really does make a difference when looking at an arrangement.

Just like color-coding tracks that are bused together.

It’s all about being aware of what you see as well as what you hear.

Change the color of notes in the Piano Roll Editor — Logic Pro X

You can change the color of notes in the Piano Roll Editor to display note velocity, region colors, or MIDI channel colors. By default, notes correspond to the region color.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Attach Symbol: Staccato — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Attach Symbol: Staccato

Add a staccato marking to a note in the score. The behavior of the staccato marking is controlled in the Project Score Preferences — MIDI Meaning. You can set the length and velocity of the notes that are marked with the symbol.

Add notes and other symbols to multiple regions — Logic Pro X

You can add notes and other score symbols to multiple selected regions at the same time position. This makes it easy to double parts in unison, for example, or add the same dynamic marks to multiple instrument parts playing together. Adding symbols to multiple selected regions works for all score symbols represented by an event, including notes, dynamic marks, clefs, pedal markings, and even text.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Attach Symbol: Accent — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Attach Symbol: Accent

Add an accent mark to a note (or rest?) in a score. There are fine controls for what an accent does when played (increased MIDI velocity)

Add accents and other symbols to notes — Logic Pro X

The Part box includes symbols such as accents, fermatas, phrasing marks, bow markings, and others that apply to a single note, over which the symbol appears. (Trills are in a separate section).

MIDI Meaning settings — Logic Pro X

These settings determine if, and to what extent, the insertion of the listed symbols affects the MIDI playback of notes (that these symbols are attached to).

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Attach Symbol: Flageolet — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Attach Symbol: Flageolet

Small circle (un-filled) above a note in a score. I am not at all familiar with this notation.

Mathematical models of flageolet harmonics on stringed instruments — ScienceDirect

Flageolet is a common technique to elicit harmonics on stringed instruments like guitars, pianos, and the violin family: the bowed or plucked string is subdivided by a slight touch of the finger. The paper discusses appropriate linear wave equations which model the flageolet phenomenon. The standard second order wave equation fails, because the resulting Dirichlet boundary condition at the finger uncouples the two parts of the string and produces tones different from the flageolet. We include and discuss fourth order corrections, due to string stiffness, as a possible source for the flageolet phenomenon.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND