Pro De-Esser Tips for Better Sounding Vocals – Produce Like A Pro

Pro De-Esser Tips for Better Sounding Vocals – Produce Like A Pro

Manual de-essing means grabbing all the sibilant parts of a vocal and clip-gaining them down. If this sounds ridiculous and annoying, it is, but it’s totally worth it the hassle. When you take the time to go over edits like this, the result can sound much more natural “automatic” de-essers.

I love these folks. Such useful information just because…

How to create ambient shimmer pads in Logic Pro X – MusicTech

How to create ambient shimmer pads in Logic Pro X – MusicTech

An intriguing way of routing audio plug-ins can unlock a world of ambient ‘shimmer’ pad effects that’s quite unlike traditional sound creation methods.
Mark Cousins

Skim | SourceForge.net

Skim download | SourceForge.net

Skim is a PDF reader and note-taker for OS X. It is designed to help you read and annotate scientific papers in PDF, but is also great for viewing any PDF file. Skim requires Mac OS X 10.6 or higher.

I have used Skim for a while (years) but not very heavily. I always wanted a way to share annotations with PDF files in Preview just because it’s the default reader.

I have decided for the time being that Skim will be my default reader/annotator. Why? Search works very well compared to the anemic (and sometimes broken) search in Preview.

Search the “Logic Pro X User Guide” for ‘add a control point’. In Preview we get the words found on 47 pages. In Skim we get the 5 locations where the string occurs. That’s exactly what I want.

Bookmarks in Skim can be session-only, or remembered. Very handy.

The multi-pane window interface – table of contents on the left (or search results) and annotations on the right, with separate search criteria. Document remains in the middle. Very much like the interface in Scrivener, which I use for all of my notebooks and workbooks.

Now if I could get Scrivener to open PDF files in Skim I would be happy. In the interim I have created a script and assigned it to a key command that will open the Preview document in Skim for me.

I feel like I have accomplished something useful today.

Cocoa Text System

Cocoa Text System

Apple’s Cocoa text system is a complicated beast, but also extremely flexible, and with a bit of work, it can be molded to match many working styles. This how-to covers the 2 major ways of customizing the text input system: Default key bindings, and for still more control, input managers.

This is fundamental knowledge for Mac users who type on keyboards. With luck many of the default rules apply to iOS as well.

I have been using the Emacs key-bindings since 1975…

Compression: When and How to Use It in Nectar, Neutron, and Ozone

‘[Compression: When and How to Use It in Nectar, Neutron, and Ozone](https://www.izotope.com/en/learn/compression-how-to-use-it-in-nectar-neutron-and-ozone.html?utm_source=twitter&utm_medium=social&utm_campaign=Compression_Nectar_Neutron_Ozone)’

Compression: When and How to Use It in Nectar, Neutron, and Ozone

In previous articles, we covered different types of hardware compressors and why their behavior matters in this hybrid/digital world. We also covered typical mistakes engineers make in using compression. This article expounds on compression in a specific way: we are diving into the various compressors available in the iZotope ecosystem and relating them to real-world applications.

by Nick Messitte, iZotope Contributor December 9, 2019

Q. When should I use mono reverb as opposed to stereo reverb?

Q. When should I use mono reverb as opposed to stereo reverb?

Another nifty trick for chart-targeted pop and EDM productions is to widen a reverb effect until it gives that ‘outside the speakers’ illusion, and then use just a small amount of it to expand the apparent width of your mix as a whole. Although such a reverb will have such dreadful mono-compatibility that it may pretty much vanish in mono, that’s rarely a great loss in practice, because the reverb serves no musical function. Better to lose some reverb in mono, than an important musical line!

Mike Senior, “Sound on Sound”

Freeware Of The Week #27 | Mike Senior on Patreon

Freeware Of The Week #27 | Mike Senior on Patreon

However, the freakiest of the lot comes courtesy of Melda, in the form of their MFreeformPhase plug-in, which allows completely variable frequency-selective phase adjustment via an EQ-like graphical interface. So, for example, if you don’t like what comb-filtering is doing to the low midrange, you can adjust the phase relationships there without affecting the rest of the spectrum.

Frequency Phase Alignment…

Meta Messages In Logic

Meta Messages In Logic

In addition to standard MIDI messages, Logic uses two special message types to carry out certain operations and to communicate among its various components. In the Logic Notes column in SOS December 2002 we had a look at Fader messages, which are used for track-based automation. Here we’ll examine Meta messages, which have several functions within Logic. One thing to keep in mind as you read this is that these special message types only travel within Logic — they never venture down the MIDI pipeline to confuse your gear or other MIDI applications.

The Wayback Machine takes us to 2003 to get a description of Meta messages and what the are good for in Logic – even today, sixteen years later…

9 Tips for Mastering Your Own Mix

9 Tips for Mastering Your Own Mix

by Nick Messitte, iZotope Contributor October 21, 2019

Growing up, I was always told by amateurs and pros alike—you can’t master a song you’ve mixed. It was interesting then to see engineers like Luca Pretolesi and Don Gehman break that rule. Could I do both too?

With technology like Ozone 9 and the improved Tonal Balance Control, I find it’s more possible than before—provided I follow concrete rules of thumb. The following are the rules I live by when I’m asked to master my own mixes, which is more and more often these days.

4 Uses for Vintage Modules in Ozone

4 Uses for Vintage Modules in Ozone

by Ian Stewart, iZotope Contributor October 9, 2019

With the arrival of Ozone 9, the powerful Vintage modules—previously only available in Advanced versions—are now part of Standard. Whether these modules are brand new to you, or you’ve had them in your back pocket for a while, but have been unsure about how and when to use them, this article is for you!

4 Tips for Using Upwards Compression in Neutron

4 Tips for Using Upwards Compression in Neutron

by Nick Messitte, iZotope Contributor September 18, 2019

In an earlier article called “Expanding on compression” I covered unusual forms of dynamic processing, including upwards compression. Neutron 3 offers the ability to implement upwards compression, so I thought it would be useful to cover it further.

How Mix Assistant Helped Me Mix an Album in 5 Days

How Mix Assistant Helped Me Mix an Album in 5 Days

by Nick Messitte, iZotope Contributor September 18, 2019

Neutron 3 Advanced sports a feature called Mix Assistant. Its aim is simple: to give you a good static mix and let you get to the fun parts of mixing faster.

9 Great Reference Mixes for Modern Pop

9 Great Reference Mixes for Modern Pop

by Nick Messitte, iZotope Contributor September 19, 2019

This article concerns itself with the genre of modern pop, but therein lies a problem: pop is a curious music, as it’s the only genre that is not a genre by definition. Whatever is popular, that is pop. “A Fifth of Beethoven,” Frozen’s “Let It Go,” and “Old Town Road” sound nothing alike, and yet they are all pop.

5 Signs of Over-Processing in a Mix

5 Signs of Over-Processing in a Mix

by Daniel Dixon, iZotope Contributor September 19, 2019

We spend a lot of time showing folks how to use plug-ins across their mix. But with every video tutorial and list of tips we publish, there is a caveat: be careful not to get carried away.

10 Mai Tai Percussion Presets – Presonus Blog

10 Mai Tai Percussion Presets

We’re still in September, it’s still Studio One’s 10th anniversary, and so once again the Friday Tip is 10 Tips! This week, the accent is on percussion—which is an essential part of any decent mix. We’re going to get down and dirty in percussion-land, so load the Mai Tai synthesizer, and let’s get started.

The post 10 Mai Tai Percussion Presets appeared first on PreSonus Blog.