Exploring the Neoverb Advanced Panel
by Griffin Brown, iZotope Content Team October 14, 2020
But what if you’re a mild-to-severe control freak (like I am) when it comes to your audio? You might want to dive a bit deeper than the visible tools allow. Thankfully, Neoverb not only lets you do so, but even offers some reverb-warping options you won’t find in many other reverb plug-ins.
I find the screen captures from Insight showing how the sound changes with the reverb settings highly useful. I can hear the differences, but having a different perspective makes it sink in just a little better…
3 Tips to Learn Neoverb in 10 Minutes
Now, iZotope has taken Exponential Audio’s killer algorithmic reverbs and brought them into the music space with Neoverb, a reverberation plug-in as handy as it is smart, which makes use of the AI-powered tools iZotope is famous for.
Neoverb sports a lot of intelligent and helpful features that make it intuitive and easy to use. It also happens to sound pretty damn great. So, we thought a tutorial was in order: read on for three tips to get yourself up and running with Neoverb in under ten minutes.
Included in the Music Production Suite 4 bundle. Of course I upgraded…
How to create ambient shimmer pads in Logic Pro X – MusicTech
An intriguing way of routing audio plug-ins can unlock a world of ambient ‘shimmer’ pad effects that’s quite unlike traditional sound creation methods.
Q. When should I use mono reverb as opposed to stereo reverb?
Another nifty trick for chart-targeted pop and EDM productions is to widen a reverb effect until it gives that ‘outside the speakers’ illusion, and then use just a small amount of it to expand the apparent width of your mix as a whole. Although such a reverb will have such dreadful mono-compatibility that it may pretty much vanish in mono, that’s rarely a great loss in practice, because the reverb serves no musical function. Better to lose some reverb in mono, than an important musical line!
Mike Senior, “Sound on Sound”
How To Use Reverb and Delay in Series for a Spacious Vocal Sound – Audio Issues : Audio Issues
So I added the delay plug-in after the reverb to add the effect. But that made the reverb too delay-y, so I turned the wet/dry signal to 50/50.
That way some of the reverb came through unaffected to add normal space, while some of the reverb was delayed to add a subtle echo effect.
After adding an EQ to filter out the highs and the lows, the vocal space sat nicely with the rest of the mix.
Thanks to Björgvin Benediktsson for the tip…
9 Tips for Using Reverb with Drums
by Nick Messitte, iZotope Contributor August 20, 2019
Some of the reverbs we’ll be working with today
Your drums sound narrow, dry, and small. You need them to sound bigger, so you send them to a concert-hall reverb. That’ll do the trick, right? Probably not. Now all you have are small, narrow drums surrounded by a lot of incongruous reverb.
Use Reverb Like A Pro: Part 2 |:
Following last month’s introduction to reverb , we take you through the tips and tricks of some of the world’s best producers — many of whom are thinking about the reverb sound they want long before they get to the mix.
Part 2 – no need to keep the entire work hidden…
Use Reverb Like A Pro: 1 |:
If you’ve ever spent hours mixing only to be confronted with a wall of mud, you might need to think harder about how to use reverb and delay in your mixes – and some simple tricks can yield dramatic results.
Mike Senior has been providing useful information and ideas for a long time. I own copies of his books. I now add some links to his online resources.
Q. What do reverb preset names actually mean? |:
SOS contributor Mike Senior replies: Well, the names of presets are only useful if they give you an idea of what to expect sonically, and that’s a bit hit-and-miss in my experience. I’m most sceptical about preset names with instrument suggestions in them, particularly if that’s unqualified by any further information. Reverb use depends so much on the stylistic expectations and the nature of the recordings themselves (particularly what kind of spill, if any, is baked into the recordings), so a simple ‘Snare’ preset would rarely be of interest to me in practice. On the other hand, ‘Epic Snare Boosh’, ‘Tight Snare Ambience’, or ‘Icy Rimshot Tail’ might well entice my mouse click under appropriate circumstances. It’s also quite common for a preset that’s ostensibly named for one use to work very well for something completely different, or to provide a great base for editing into another form. So, in short, take those kinds of preset names with a huge pinch of salt!
8 Creative Reverb Effects for Sound Design:
The purpose of reverb is to create a sense of ambiance, foster a feeling of depth, or take listeners to new locales. But today we depart from these more prosaic usages to focus on something a little more creative—namely, how to use reverb as a tool for sound design.
Essential Tips for Using Reverb on Vocals:
The vocal is often (nearly always) the most important element in a track. The presence that you hear in a professional vocal helps the listener understand the lyrics and connect with the song. This human element is accessible to the listener and should be clear to hear.
8 Tips for Using Reverbs and Delays on Guitars:
Barring distortion, few effects are as essential to mixing guitars as reverb and delay. From reggae strokes to stadium rock epicness and blissful tape echo soundscapes, we’ve relied heavily on ambience processors to shape some of the most distinctive guitar sounds in contemporary music.
Friday Tips: The Center Stage Reverb – PreSonus BlogPreSonus Blog:
This week’s tip is inspired by the center stage sound, but taken further. The heart of the effect is the Expander, but unlike last week’s Expander-based Dynamic Brightener tip, the Expander is in Duck mode, and fed by a sidechain. Here’s the Console setup.
6 Creative Reverb Techniques in Music Production:
In this article, we’ll cover six ways to use reverb in a sound design and arranging context. We’ll cover how reverb can be used as an insert effect when creating a sound, how to give return reverbs more character, and how to use reverb as a standalone transitional effect or groove element.
The Basics of Convolution in Audio Production:
Convolution is one of the more sophisticated processes regularly used in audio production. Its ability to accurately impart the characteristic timbres of spaces and objects on other signals is useful in both sound design and standard processing applications. With a wide range of realistic and otherworldly sonic possibilities, convolution can be a fantastic addition to any producer’s toolkit.