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Compression: When and How to Use It in Nectar, Neutron, and Ozone
In previous articles, we covered different types of hardware compressors and why their behavior matters in this hybrid/digital world. We also covered typical mistakes engineers make in using compression. This article expounds on compression in a specific way: we are diving into the various compressors available in the iZotope ecosystem and relating them to real-world applications.
by Nick Messitte, iZotope Contributor December 9, 2019
10 Great Reference Mixes for Electronic Music
by Nick Messitte, iZotope Contributor November 14, 2019
Electronic Music has changed since it went palpably mainstream. From EDM to deeper subgenres like Dubstep, Trap, Future House, and various combinations thereof, the genre has evolved, both in the mainstream and the underground.
Thus, I thought a modern tally of great reference mixes was in order to aid in your own productions, mixes, and masters.
9 Tips for Mastering Your Own Mix
by Nick Messitte, iZotope Contributor October 21, 2019
Growing up, I was always told by amateurs and pros alike—you can’t master a song you’ve mixed. It was interesting then to see engineers like Luca Pretolesi and Don Gehman break that rule. Could I do both too?
With technology like Ozone 9 and the improved Tonal Balance Control, I find it’s more possible than before—provided I follow concrete rules of thumb. The following are the rules I live by when I’m asked to master my own mixes, which is more and more often these days.
Mastering Bass With Low End Focus
Low End Focus is a new module in Ozone 9 Advanced designed to take the low end of your track and minimize muddiness, increase clarity, and address common low end issues that may not be easily mitigated with traditional tools, such as EQ or Dynamics. Learn more about the new module in the video below.
4 Uses for Vintage Modules in Ozone
by Ian Stewart, iZotope Contributor October 9, 2019
With the arrival of Ozone 9, the powerful Vintage modules—previously only available in Advanced versions—are now part of Standard. Whether these modules are brand new to you, or you’ve had them in your back pocket for a while, but have been unsure about how and when to use them, this article is for you!
4 Tips for Using Upwards Compression in Neutron
by Nick Messitte, iZotope Contributor September 18, 2019
In an earlier article called “Expanding on compression” I covered unusual forms of dynamic processing, including upwards compression. Neutron 3 offers the ability to implement upwards compression, so I thought it would be useful to cover it further.
How Mix Assistant Helped Me Mix an Album in 5 Days
by Nick Messitte, iZotope Contributor September 18, 2019
Neutron 3 Advanced sports a feature called Mix Assistant. Its aim is simple: to give you a good static mix and let you get to the fun parts of mixing faster.
9 Great Reference Mixes for Modern Pop
by Nick Messitte, iZotope Contributor September 19, 2019
This article concerns itself with the genre of modern pop, but therein lies a problem: pop is a curious music, as it’s the only genre that is not a genre by definition. Whatever is popular, that is pop. “A Fifth of Beethoven,” Frozen’s “Let It Go,” and “Old Town Road” sound nothing alike, and yet they are all pop.
5 Signs of Over-Processing in a Mix
by Daniel Dixon, iZotope Contributor September 19, 2019
We spend a lot of time showing folks how to use plug-ins across their mix. But with every video tutorial and list of tips we publish, there is a caveat: be careful not to get carried away.
10 Tips for Mastering if You’re Not a Mastering Engineer
by Nick Messitte, iZotope Contributor February 7, 2018
Maybe you’re a singer songwriter who has mixed a song and wants to release it quickly. Or perhaps you’re an EDM producer working at a fast clip, and you don’t want to shell out the money to bring every new track to a competitive level. Maybe still you’re a mixing engineer looking to give a client a pseudo-master—not just any pseudo master, but one that sounds better than the average limiter-slam.
How to Mix Hi-Hats: 8 Tips for Added Energy
by Daniel Dixon, iZotope Contributor September 9, 2019
A hi-hat is vital to an overall great drum mix.
In our blog articles “5 Tips for Mixing High End” and “8 Tips for Taming Harsh Treble in the Mix” we provided some general tips for managing high end in a mix. Today, we’re diving into a specific sound that occupies the top end of the frequency spectrum: hi-hats.
Making Metal: How to Master Metal with Ian Shepherd
by Ian Shepherd, Mastering Engineer September 4, 2019
Mastering metal is tough.
In fact, I’d probably go so far as to say it’s one of the most challenging genres to get truly great results in. It is certainly possible though.
9 Tips for Using Reverb with Drums
by Nick Messitte, iZotope Contributor August 20, 2019
Some of the reverbs we’ll be working with today
Your drums sound narrow, dry, and small. You need them to sound bigger, so you send them to a concert-hall reverb. That’ll do the trick, right? Probably not. Now all you have are small, narrow drums surrounded by a lot of incongruous reverb.
Mix Busses 101: When, Why, and How to Group Tracks into a Bus
by David Bawiec, iZotope Contributor August 21, 2019
What’s a mix bus? Learn here!
We’ve got your guide to everything mix bus-related. Learn how they work, the difference between a group, aux bus, or master bus, when you should route your tracks to a group bus, and how to do it the right way.
6 Tips for Widening the Stereo Image of a Mix
by Daniel Dixon, iZotope Contributor July 23, 2019
Ozone 8 stereo imager
Getting stereo imaging right is no easy task. Just when you think you’ve achieved wonderous mix width, you pull up a reference track and find that your music seems narrow in comparison. Worse yet, when you fold your mix into mono it shrinks down even further.