4 Uses for Vintage Modules in Ozone

4 Uses for Vintage Modules in Ozone

by Ian Stewart, iZotope Contributor October 9, 2019

With the arrival of Ozone 9, the powerful Vintage modules—previously only available in Advanced versions—are now part of Standard. Whether these modules are brand new to you, or you’ve had them in your back pocket for a while, but have been unsure about how and when to use them, this article is for you!

10 Tips for Mastering if You’re Not a Mastering Engineer

10 Tips for Mastering if You’re Not a Mastering Engineer

by Nick Messitte, iZotope Contributor February 7, 2018

Maybe you’re a singer songwriter who has mixed a song and wants to release it quickly. Or perhaps you’re an EDM producer working at a fast clip, and you don’t want to shell out the money to bring every new track to a competitive level. Maybe still you’re a mixing engineer looking to give a client a pseudo-master—not just any pseudo master, but one that sounds better than the average limiter-slam.

Making Metal: How to Master Metal with Ian Shepherd

Making Metal: How to Master Metal with Ian Shepherd

by Ian Shepherd, Mastering Engineer September 4, 2019

Mastering metal is tough.

In fact, I’d probably go so far as to say it’s one of the most challenging genres to get truly great results in. It is certainly possible though.

What Is an Ideal Mastering Signal Chain?

What Is an Ideal Mastering Signal Chain?

by Oscar Zambrano, iZotope Contributor July 10, 2019

Ozone 8 is a great starting environment to build a mastering signal chain.
If you’re an iZotope blog regular, you’ve probably read a lot of mastering tips and tricks for EQs, compressors, limiters, imagers, and every other processor around. But what about choosing an order for these things? While signal chain composition isn’t discussed much, it’s an integral step in mastering.

Classical Music: Recording, Mixing, and Mastering Fundamentals

Classical Music: Recording, Mixing, and Mastering Fundamentals

by Jett Galindo, iZotope Contributor July 3, 2019

Recording, mixing, and mastering classical music requires different techniques than most modern productions.
Classical music is known for its nuanced sonics—from the wide dynamics all the way to its vast range in the frequency spectrum. With that comes a unique set of challenges for sound engineers when recording, mixing, and mastering classical music.

How to control loudness when mastering in Logic – MusicTech

How to control loudness when mastering in Logic – MusicTech:

Loudness control is an essential part of the mastering process, but it can also be a handy ‘quick fix’ means of ensuring your rough mixes stand up to commercial recordings…

By Mark Cousins

Automation in the Audio Mastering World: Leveling up Your Ozone 8 Skills with Tasteful Automation

Automation in the Audio Mastering World: Leveling up Your Ozone 8 Skills with Tasteful Automation:

Automation isn’t just for mixing engineers. Neither is automation strictly limited to volume rides. Whether you’re working in the analog or digital world—or relying on a hybrid audio mastering setup—there are a handful of circumstances where time-based adjustments on your mastering chain can help you achieve your desired results. Let’s look into a few practical examples of automation being used in recent mastering sessions.

Add Reference Plugins Into Your Workflow | pureMix.net

Add Reference Plugins Into Your Workflow | pureMix.net:

Referencing is a critical part of mixing. It allows you to compare your song against well-mixed music in a similar style. In addition to giving you a reality check and ideas for treating various mix elements, it helps mitigate the acoustical issues often found in untreated studios, by providing you with a baseline to compare your mix with. There’s a lot to discuss about this subject, and Fab Dupont covers it thoroughly in the pureMix video, “How to Listen-Reference Mixes.” The full video is available to pureMix Pro Members, but in this free excerpt, Fab talks about using plug-ins that are specifically designed to help you reference more effectively.

4 Popular Mixing Reference Tracks, and Why They Work

4 Popular Mixing Reference Tracks, and Why They Work:

We all have favorite music; songs that move us emotionally, melodies that get stuck in our heads, songs that make us want to dance. When you mix music for a living like I do, you listen for something different. Not that music doesn’t make me want to dance, but I like to listen to certain tracks before mixing as a sort of calibration process for my ears

5 Creative Uses of iZotope RX in Audio Mastering

5 Creative Uses of iZotope RX in Audio Mastering:

Here are five examples of recent mastering sessions where iZotope RX took on a more creative audio mastering role. Featured in this article is GRAMMY-winning mastering engineer Glenn Schick (Future, Ludacris, The Weeknd) and iZotope’s very own Education Director Jonathan Wyner (David Bowie, Howie Day) to also share some key insights on how they’ve used RX in their mastering workflow.

Why Do My Mixes Sound Bad? 8 Tips to Douse the Flames

Why Do My Mixes Sound Bad? 8 Tips to Douse the Flames:

First, make sure something isn’t actually amiss with your gear. Many are the times where it hasn’t actually been my ears. With a panoply of hardware pieces and software abounding, it’s easy to see where something might mangle the proceedings in the chain.

Let me hear…route the audio through T-Racks One, Sonarworks, Ozone 8, and out through Sonarworks. Where did all that sub-50 information come from 😉

Are You Listening? Episode 6: EQ in Mastering

Are You Listening? Episode 6: EQ in Mastering:

In Episode 6, learn how EQ in mastering can help correct and restore the clarity and intelligibility of a track, why you should prep before applying EQ, why filter shapes matter, and how to make thoughtful subtractive and additive EQ decisions. Practice your skills at home by downloading a free trial of Ozone, iZotope’s mastering software!

5 Ways Inter-plugin Communication Streamlines Audio Mixing

5 Ways Inter-plugin Communication Streamlines Audio Mixing:

Inter-plugin communication is a technology developed here at iZotope that allows our plug-ins to interact and share invaluable information with one another across a session, helping you produce, mix, and master with better results.

Not only does iZotope make these excellent tools, they provide a large library of documentation and practical guides to the mixing and mastering processes.

Are You Listening? Episodes 4 and 5: Limiting in Mastering

Are You Listening? Episodes 4 and 5: Limiting in Mastering:

Episode 5, part 2 of “Limiting in Mastering,” explores the role of limiting in mastering with concrete examples to help guide you through the process of setting up, implementing, and adjusting limiters in your next project.