Working in the digital domain doesn’t mean your productions can’t get that rich analog sound. Joe Albano reveals which of Logic Pro’s plugins to turn to for a vintage vibe.
Will the track receive further processing? Use an insert
Reverb, delay, compression, modulation, distortion—these are some effects that often wind up on auxiliary channels. You send some of your track to a reverb aux, and dial in as much as needed. But if the effect is meant to be used in a series and will receive further processing on the track level, it’s wiser to use the effect as insert even in parallel operation (as in, a chorus with a wet/dry control).
Worth considering. Logic Pro X instruments use both inserts and sends to achieve the fine results. There’s a reason for that.
Inter-plugin communication is a technology developed here at iZotope that allows our plug-ins to interact and share invaluable information with one another across a session, helping you produce, mix, and master with better results.
Not only does iZotope make these excellent tools, they provide a large library of documentation and practical guides to the mixing and mastering processes.
More like the 80s
NAD integrated amplifier, Dual turntable, recordings from 1950s, 1960s. All vinyl, all the time…
The simple answer was “Boston Acoustics”, not me, I know there are tools that will “warm it up”.
I went “B&W”. No one was saying “Bowers and Wilkins” in the U.S. Too much like “Evelyn and Crabtree” (or the other way around, fun nose trinkets).
Modern “flat” speakers are sooooooooo flat compared to anything from the 1980s at a real person’s budget.
Devil’s in the details, watch out for “re-masters”.
So the saxes, the Evanses, the odd-rhythmists, they need warm. Yup. A transistor needs help. So does the computer 😉
MJQ – Django – Rudy Van Gelder re-master (he surely didn’t record it?)
Needs warms. Cold, wintry sound without help.
My attempt is flat speakers proceeded by iZotope “Vinyl” to get me vintage gear, with a T-Racks 5 “Saturator-X” at the front. It’s pretty close to the home stereo. Maybe a little “room”.
The new graphic EQ for the home stereo might be Audio Hijack with a bunch of plugins in front of the audio. It works for me, since that’s what I heard and what I know deep in my ears.
I need to build the amusing “Hey Dingus” command of “Play me some Bill Evans on a 1960’s stereo” – how’s that for a graphic EQ? The AREQ?
Ahh, the magic happens.
I need to add some room! not where it was recorded, but where it is heard. T-Racks 5 – CSR Classik – Room. Reflections only.
I want to be in the room where a performance happens!
Logic Pro X keyboard command of the day. #LogicProX
No preset keyboard command.
Located using the “Edit Keyboard Commands” (option-K)
Hovering over the command in the list Logic offers further information “also available as menu item ‘MIDI Effects’ in a local menu”.
The local menu referenced is the Channel Strip contextual menu (pop-up). When a MIDI channel is selected in the mixer, either external or instrument, the control-click on the channel strip reveals the “MIDI Effects” entry. When checked the MIDI effects appear in the channel strip between the EQ thumbnail and the Input selector. For external MIDI tracks there is just a blank space, no effects can be added. For instruments you can add MIDI effects.
You can create your own MIDI effects by adding a “Scripter” effect.
effects, including slider controls for real-time interaction.
For detailed information about using Scripter, including code samples,
see the MIDI plug-ins chapter of the Logic Pro X Effects or
MainStage 3 Effects manual.
// example: simple pass through and MIDI monitor
Latest online help is for version 10.3 – Logic Pro X Effects – Scripter plug-in
With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume
Equal time for Waves MV2. The catalyst to my “upward compression” search.